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World
Herz — World Desk · · 30s summary · 3 min read
The review published on July 15, 2026 by El País describes Christopher Nolan's The Odyssey as ambitious but not extraordinary. An adaptation of Homer's epic poem, the film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya, and Samantha Morton in a casting judged flawless. Three sequences stand out: Polyphemus the Cyclops, Circe, and the Sirens. Ludwig Göransson's score and excessive editing are identified as the film's main weaknesses.
The review published on July 15, 2026 by El País describes Christopher Nolan's The Odyssey as ambitious but not extraordinary. A filmmaker known for The Dark Knight, Inception, Tenet, and Oppenheimer, Nolan adapts Homer's epic poem here and also writes the screenplay alone.
The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya, and Samantha Morton. El País praises their collective performance as flawless.
The Odyssey is shot and projected in two distinct formats: IMAX 70mm, with a nearly square 1:43.1 aspect ratio, and 35mm widescreen, with a 2:39.1 aspect ratio. Only a handful of cinemas worldwide have the IMAX 70mm configuration. The framing thus varies depending on where it is screened.
The press screening was not held in IMAX but on a textured 70mm screen. The review therefore reflects a different visual experience than what IMAX audiences will see.
The score is composed by Ludwig Göransson, a Swedish composer and music producer born on September 1, 1984, in Linköping. His relentless, deafening percussion is singled out by El País as undermining the film's visual compositions.
El País identifies three particularly successful moments. Canto IX, centered on Polyphemus the Cyclops, is described as moving and adventurous. Canto X, devoted to Circe, allows Samantha Morton to deliver a performance judged as remarkable.
Samantha Morton plays Circe, the goddess-sorceress from Canto X of Homer's poem. Her performance is presented by El País as likely to earn her praise and possibly awards.
Canto XII, dedicated to the Sirens, is praised for a contemporary take on siren songs. El País sees in it an inventive departure from Homer's original work.
Among the film's weak points, El País cites narrative dispersion and the Menelaus and Helen of Troy sequence, judged incomprehensible. Excessive editing denies images the space necessary for full visual impact.
The review is based on a press screening in standard 70mm, without IMAX configuration. The IMAX 70mm experience—available in a handful of theaters worldwide—was not evaluated by El País.
The potential for awards recognition for Samantha Morton remains a prospect raised by the critic, not an established certainty.
The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya, and Samantha Morton. El País praises their collective performance as flawless.
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The Odyssey is shot in IMAX 70mm (nearly square 1:43.1 ratio) and 35mm widescreen (2:39.1 ratio). Only a handful of theaters worldwide have the IMAX 70mm setup; others screen the film in the widescreen format.
Three stand out: Canto IX (Polyphemus the Cyclops), Canto X (Circe, played by Samantha Morton), and Canto XII (the Sirens, with a contemporary take praised for its creative departure from Homer).
Ludwig Göransson, a Swedish composer born in 1984 in Linköping, composed the score. El País criticizes relentless, deafening percussion that undermines, in the paper's view, the film's visual compositions.
El País points to narrative dispersion, a Menelaus and Helen of Troy sequence judged incomprehensible, and excessive editing that denies images the space needed for full visual impact.